More from Alexander Davidson
The Toilet Tower on Conduit Mews
This viewpoint focusses on a toilet tower (a series of bathrooms stacked in the shape of a helix), built as part of scheme to transform four Victorian terraced houses into student housing in Paddington, London, in the late-1960s. More specifically, how architects Nicholas Grimshaw and Terry Farrell promoted plastics in architecture on aesthetic grounds in a way which has ultimately proved to be unsustainable.
The Barbican and the Making of the Modern Office Building – Pt. 2
The Barbican Redevelopment Scheme, comprising the Barbican Estate, Barbican Arts Centre and the office buildings around London Wall and Moorgate, is well known to people with an affection for twentieth-century architecture, and has become major cultural centre in its own right. Nevertheless, very few people are aware of how a type of plastic manufactured in rural Kent quietly revolutionised the design and construction of modern office building, in particular the curtain-walling systems that enabled open-plan offices. In the second of two viewpoints on the New Barbican, Alexander Davidson tells a story encompassing two office buildings built as part of the Barbican Redevelopment Scheme – Lee House and St Alphage House – and how the plastic Holoplast was manufactured, used in construction, and eventually came to be demonised by the City of London Corporation.
Broadcasting House and British Plastics
In this viewpoint, I tell the story of the BBC’s headquarters, its design by Val Myer and FJ Watson Hart and its magnificent recording studios. The story features angry local residents, neo-Art Deco facades, and a type of early plastic made of formaldehyde resin.
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Misunderstanding the Suicidal
In 1793, a young woman in this village, Dinah Harryman, asked for help with her suicidal feelings. Her aunt’s response indicates how difficult it could be for friends and family to understand the suicidal. Learn about Dinah’s story.